In of mice and men the use of light and dark

Some readers feel that Of Mice and Men is so balanced and thoughtful in structure that the novel is a work of art. The locales are perfectly balanced in a circular pattern.

Some readers feel that Of Mice and Men is so balanced and thoughtful in structure that the novel is a work of art. Other readers feel that the structure makes the book predictable, taking away from the reader's interest.

Nevertheless, Steinbeck's novel easily translated to the stage, almost intact, because of his thoughtful craftsmanship. The locales are perfectly balanced in a circular pattern. There are six scenes in groups of two, producing three "acts. In the middle are two scenes in the bunkhouse, and two scenes in the barn, the latter including Crooks ' room which is in the barn.

In each of these scenes, Steinbeck develops an interesting pattern of general to specific. For example, in the first scene by the river, Steinbeck begins with a "camera shot" of the entire scene so the reader can take in the mountains, the sun, the river, and all of nature in the vicinity.

John Steinbeck

Then he focuses in on a path and then — still more — on two men walking down that path. At the end of the first scene the author does just the opposite.

The focus is on the two men settling down for the night and then the "camera" pulls out and expands the scene to include the night, the fire, and hills. A close examination of each scene will bring the reader to the conclusion that Steinbeck has produced a well balanced pattern that beautifully supports his plot and themes.

Two other stage conventions include the entrances and exits by characters and, at the beginning of each scene, the setting descriptions.

In each scene are entrances and exits by the characters. For example, when Chapter 4 opens, Crooks is sitting in his room applying liniment to his back. Next, Lennie appears in the open doorway, waiting to be asked in.

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Eventually, other characters make entrances: Candy and Curley's wife. Then Curley's wife exits, George enters, and the three men exit, leaving Crooks alone once again. A dramatic format is used also for the beginning of scenes. Each starts with a sparse description of the setting, much like a playwright would do at the beginning of a play scene.

The first and last scenes have descriptions of nature and set the atmosphere for the action. In between these scenes are brief setting descriptions of the bunkhouse and Crooks' room in the barn and the barn itself.

The whole novel contains very little narration. Instead, Steinbeck relies heavily on the words and actions of his characters. A careful study of each chapter reveals that, after the initial description of the setting, most pages contain almost all dialogue with very short introductory phrases.

Steinbeck wants readers to draw their own conclusions about the characters and the themes from the action and words of the people, rather than from Steinbeck's opinions. Thus Steinbeck uses a technique that helps his novel translate easily to a staged production.

Within each scene is a pattern of rising and falling action. In the second scene, for example, the bunkhouse and inhabitants are introduced, suspicion falls on the two men's relationship, Curley and his wife inject an ominous tone which Lennie repeats with his instinctive reaction to themSlim soothes the scene, and then they go to dinner.

Again, each scene is balanced with this theatrical structure. The lighting could also be attributed to theatrical technique.Scientists have discovered that the genes that make and control the various components of biological clocks are largely similar in humans, mice, fruit flies, fungi, and many other organisms.

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John Steinbeck, in the novel Of Mice and Men, uses a theme of light and dark throughout the novel. Here are some examples from the text and an explanation of the use. Here are some examples from.